![]() ![]() These are then included into the maths and the whole process repeats.Īfter every stage has proven immaculate performance, the same is done with the whole product and so problem spots get methodically rooted out before they hide themselves and become “audible but not measurable”. When the practicalĬircuit measures as predicted, we listen to search for unexpected sources of coloration. ![]() We analyseĮvery sub-circuit mathematically and look for ways to eliminate every error term. All simple circuitsĬhange the signal audibly, so one has to get to grips with more complicated ones that don't. Turning this simple insight into hardware is probably the toughest way to do audio. You'd almost forget that getting closer to the sound as crafted by the artist really means keeping the replay system from changing it. Today's high-end audio has become all about mixing circuit topologies and parts to make a sonic blend that the designer thinks “sounds about right”. Mola Mola embodies the idea that once you've removed everything that isn't the music, that what remains is the music.
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